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VIENNAFAIR Preparing for The BALL D’OR at Belvedere

Posted on 10. September 2012 by #viennacontemporary Leave a comment

Belvedere

Vita Zaman sunglasses

Vita Zaman

Vita Zaman Christina Steinbrecher

hallo

Vita Zaman shooting

Manolo Blahnik

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SAVE THE DATE
8 – 11 September 2022
viennacontemporary | International Art Fair

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Siebensterngasse 46/1/44
A-1070 Vienna, Austria

blog (at) viennacontemporary.at

#viennacontemporary Magazine reports on the activities of viennacontemporary and provides you with in-depth insights into what’s going on in the art world. We publish interviews with gallerists, collectors, artists, and art lovers. Our main focus is Austria, but we also explore the art scene in Southern and Eastern Europe and beyond. viennacontemporary is not only a reflection of the contemporary art landscape in the region. It’s about people, society, trends, and dialogue.

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Over the years Christoph Meier, Ute Müller, Robert Schwarz, and Lukas Stopczynski have been creating to-scale, site-specific variations on the legendary architectural icon the Loos American Bar (also known as the Kärntner Bar and the American Bar), in various locations and using a range of materials. The bar, designed by Adolf Loos in 1907/08, is located in Vienna’s 1st district, and measures only 27.36 m2. From episode to episode, the artists have broadened their repertoire of cross references and levels of abstraction pertaining to the Loos Bar’s interior, rendered almost infinitely expandable by its mirrored walls.

Happy Birthday, Gianni Manhattan (@giannimanhattan)! 🌺🎈 Today the gallery celebrates its 5th year anniversary, which coincides with the official opening of the show “Laurence Sturla: THROUGH TONGUE AND SOIL”. Stop by to celebrate and bring some kind wishes!

Early body art and performances, feature films and kinetic sculptures, intimate drawings and poems – Rebecca Horn has been practising her art now for fifty years, during which time she has created her own symbolically charged multifaceted cosmos. Her works make up an expanding web of objects, motifs and themes that she constantly spins anew. In doing so she interweaves numerous traditions of art, literature and film – likewise mythology and the world of fairy tales.

What makes objects and objects memorable? And when do the corresponding memories cease to exist? Do memories even exist, without someone to share them with, without the place to which they belong?

The multi-layered photographic interventions by Vienna-based artist Sophie Thun complicate the relationship between the imaginary space of the image and the real space of the viewer. By revealing the sites, mechanisms, and performances inherent in the production of the image, Thun breaks its seamless illusion, honestly documenting the performance of its construction. In her new exhibition, MERGE LAYERS, the artist creates a superimposition of her previous projects. Featuring the archive of Zenta Dzividzinska, Sophie Thun not only overwrites her own works but also merges the layers of both artists’ past and present.

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