#viennacontemporary Magazine

Search

Menu

Skip to content

#contemporaryvienna
Collecting
Discovery
- CEE
Video
Archive
- vc2016
- 2015
- 2014
- 2013

Lessons / School of Happiness

School Of Happiness Lesson 7: Slow Down

Posted on 24. July 2013 by #viennacontemporary Leave a comment

Miltos Manetas, “Painting Rain”, Video in Blackberry, signed, Unique, 3 min in loop, mute, 2011

Teilen mit:

Twitter
Facebook
Google

Like this:

Like Loading...

Related

Bookmark the permalink.

Post navigation

Previous post ← Midsummer Night’s Dream. Daria Style

Next post Double Intimacy →

Leave a Reply Cancel reply

Enter your comment here...

Fill in your details below or click an icon to log in:

Email (required) (Address never made public)

Name (required)

Website

You are commenting using your WordPress.com account. ( Log Out / Change )

You are commenting using your Google+ account. ( Log Out / Change )

You are commenting using your Twitter account. ( Log Out / Change )

You are commenting using your Facebook account. ( Log Out / Change )

w

Connecting to %s

Notify me of new comments via email.

SAVE THE DATE
27-30 September 2018
viennacontemporary | International Art Fair

contact

Siebensterngasse 46/1/44
A-1070 Vienna, Austria

blog (at) viennacontemporary.at

#viennacontemporary Magazine reports on the activities of viennacontemporary and provides you with in-depth insights into what’s going in the art world. We publish interviews with gallerists, collectors, artists, and art lovers. Our main focus is Austria, but we also explore the art scene in Southern and Eastern Europe and beyond. viennacontemporary is not only reflection of the contemporary art landscape in the region. It’s about people, society, trends, and dialogue.

Follow Magazine via Email

Enter your email address to follow this Magazine and receive notifications of new posts by email.

Top Posts

follow us on Instagram

BERNHARD HOSA & OLENA NEWKRYTA »When Our Eyes Touch, Is It Day Or Is It Night?« at @raum_mit_licht. #contemporaryphotography #contemporaryvienna

Max Schaffer 'All clear' @gabrielesenngalerie on View till April 21. The checkered dish-towel hangs neatly folded in the kitchen. The curtains are drawn. It is after six o’clock. The newscast is about to start. A storm is looming. With his solo exhibition “all clear” Max Schaffer ventures into uncertain terrain, all cleverly reflected but with a slightly cheeky implicitness. A space-capturing installation of new textile works illustrates the theme that ‘domestic bliss is undergoing radical change’. This time the artist, whose style explores conceptually and formally the charged relationship between everyday culture and cultural discourse in a multi-layered interconnection of appropriations and references, uses conventional dish-towels as the basic material of his exhibition – not as a readymade, but as an item of encroachment. Tinted in batik technique with black dye, the textiles usually associated with conservative domesticity seem to mirror the characteristics of the exhibition concept with a subtle undertone: something is out of whack here, the uncontrollable, the unknown, the other has upset the order of things and is now asking for an unavoidable confrontation with something that remains undisclosed, an event that can no longer be reversed. #contemporaryartist #contemporaryart #contemporaryvienna

‘Möbel und’ at @christinekoeniggalerie . —- Furniture has always existed in an unclearly defined zone where life blends into art and art into life. There’s a utilitarian aspect to it—we need it to store our things—as well as a decorative one: one wants it to look nice. In early minimal art, on the other hand, pieces of furniture were design objects that not infrequently mutated into nonfunctional art sui generis, thereby tossing classic design vocabularies into an entirely new intellectual context. The exhibition MÖBEL UND plays in a refined, provocative, and humorous way with the multifarious coding of meublements, with the gains of both pleasure and knowledge thus squeezed out being ends in a quintessentially Kantian sense. In this group show, which includes works from various decades by artists from different generations, “furniture” is, so to speak, a potentially flexible thing unto itself—a thing that can be configured to form diverse assemblages and be subjected to formal permutations associated with violence and passion. #contemporaryart #contemporaryvienna

Peter Krawagna at Galerie Ernst Hilger. On view till April 28. #contemporaryart #contenporarypainting #peterkrawagna

Blog at WordPress.com.

%d bloggers like this: