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2013

VIENNA Love: “You Love Your Country Too Much”

Posted on 4. October 2013 by #viennacontemporary Leave a comment

The charismatic artwork “you love your country too much” by artist Anne-Lise Coste is adapted for a special VIENNAFAIR project in the form of an exclusive “you love your country too much” bag. Your unique limited edition masterpiece can be purchased at VIENNAFAIR from October 10 to 13 at the booth H24 for only €15.

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SAVE THE DATE
22 – 25 September 2022
viennacontemporary | International Art Fair

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Siebensterngasse 46/1/44
A-1070 Vienna, Austria

blog (at) viennacontemporary.at

#viennacontemporary Magazine reports on the activities of viennacontemporary and provides you with in-depth insights into what’s going on in the art world. We publish interviews with gallerists, collectors, artists, and art lovers. Our main focus is Austria, but we also explore the art scene in Southern and Eastern Europe and beyond. viennacontemporary is not only a reflection of the contemporary art landscape in the region. It’s about people, society, trends, and dialogue.

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Margot Pilz decided to become an artist after her arrest and degrading treatment by police and became one of the most important feminist figures internationally since the 1980s. Her main areas of thematic focus – the individual in relation to society, the position of women, and purely existential questions – run like common threads throughout a body of work spanning over forty years. In recent years, Margot Pilz has dealt artistically with her aging, the relentless process of bodily changes and thus how we negotiate these concerns.

The exhibition “Under My Ribs a Home Lives” is a journey full of contrasts: through warm, domestic nooks, to wild temptations in interiors inhabited by human and non-human creatures. Wiktoria Walendzik (@miauful), often referring to furniture, creates self-portraits full of visions of her own identity, realising her fantasies and dreams in the sculptures. Zuza Piekoszewska (@zuzapiekoszewska) embodies the home - she enters deeply into the structures of the four walls, penetrates, peeps into the intimate playground of microorganisms and the building material itself. Martyna Pinkowska (@marynapinkowska) shows in her works mental and psycho-physical states of a contemporary woman which are usually experienced in isolation such as own flat.

Bruttbladd _the horse eats with me! 🌱

The photographer Ouriel Morgensztern is a citoyen du monde, a citizen of the world, who lets us travel through the gaze of his camera. Twenty-five years after the exhibition by Harry Weber and nearly ten years after the one by Josef Polleross, Morgensztern’s photographs in the Jewish Museum Vienna offer a current insight into the diverse Jewish community in this city.

This was ZONE1 at #viennacontemporary2021!

In the eighties, everything suddenly became possible. The great social and political upheavals are also clearly visible in art. Groups of artists break with the entrenched art establishment, dethrone the avant-garde. The 80s stand out for an unprecedented stylistic pluralism that resorted to the picture pool of past decades: the 80s were the cradle of Postmodernism.

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