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Contemporary Vienna | Christina Steinbrecher-Pfandt

Posted on 18. December 2016 by #viennacontemporary Leave a comment

viennacontemporary artistic director Christina Steinbrecher-Pfandt talks about her first encounter with great art, life in Vienna, motivation and more.

Get a glimpse behind the scenes of viennacontemporary preparations and see how a day of artistic director looks like.

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2 – 5 September 2021
viennacontemporary | International Art Fair

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Siebensterngasse 46/1/44
A-1070 Vienna, Austria

blog (at) viennacontemporary.at

#viennacontemporary Magazine reports on the activities of viennacontemporary and provides you with in-depth insights into what’s going on in the art world. We publish interviews with gallerists, collectors, artists, and art lovers. Our main focus is Austria, but we also explore the art scene in Southern and Eastern Europe and beyond. viennacontemporary is not only a reflection of the contemporary art landscape in the region. It’s about people, society, trends, and dialogue.

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With a new, additional art fair in town and many exhibition openings, this first summer week in Vienna is everything but boring 👀 Grab your sunglasses, your hand fan, and set out to explore!

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The exhibition 'Following the Thoughts of Others' at @juliuskollersociety can be seen as the conclusion of Judit Flóra Schuller’s long-term artistic project and related research, originally entitled Memory Theatre, which is centered around her family archive and heritage, with a special emphasis on her grandfather, Imre Schuller. The title – borrowed from a note that discovered by the artist in the family archive – implies we should finally acknowledge that it is never truly possible to reconstruct our ancestors’ lives. Moving away from seeking some kind of truth or reality, the exhibition suggests that our only option is to, aided by fiction and imagination, “follow” these “thoughts of others” wherever they may take us. This is how Judit Flóra Schuller re-creates and re-invents certain narratives and motives without falling into the trap of attempting fake authenticity or reconstruction. The exhibition highlights certain fragments and episodes from history of the Schuller family, rather than provide the viewer with a complete narrative.

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