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documenta 14 | highlights

Posted on 12. June 2017 by Kris Kulakova Leave a comment

documenta 14 in photos

Hiwa K

Hiwa K

Hiwa K

Hiwa K

Vivian Suter

Vivian Suter

Vivian Suter

Vivian Suter

Vivian Suter

Vivian Suter

Vivian Suter

Vivian Suter

Ibrahim Mahama

Ibrahim Mahama

Ibrahim Mahama

Ibrahim Mahama

Kendell Geers

Kendell Geers

Oliver Ressler

Oliver Ressler

Oliver Ressler

Oliver Ressler

Takis

Takis

George Lappas

George Lappas

Costas Varotsos

Costas Varotsos

George Hadjimichalis

George Hadjimichalis

Andreas Angelidakis

Andreas Angelidakis

Sámi Artist Group (Britta Marakatt-Labba, Keviselie/Hans Ragnar Mathisen performance

Sámi Artist Group (Britta Marakatt-Labba, Keviselie/Hans Ragnar Mathisen performance

Aboubakar Fofana

Aboubakar Fofana

Aboubakar Fofana

Aboubakar Fofana

Hauptbahnhof

Kulturbahnhof

Zafos Xagoraris

Zafos Xagoraris

Ciudad Abierta

Ciudad Abierta

Irena Haiduk

Irena Haiduk

Irena Haiduk

Irena Haiduk

Maria Hassabi

Maria Hassabi

Dan Peterman

Dan Peterman

Maria Hassabi

Maria Hassabi

Máret Ánne Sara

Máret Ánne Sara

Maria Hassabi

Maria Hassabi

Maria Hassabi

Maria Hassabi

Maria Hassabi

Maria Hassabi

Bili Bidjocka

Bili Bidjocka

Bili Bidjocka

Bili Bidjocka

Bili Bidjocka

Bili Bidjocka

Olaf Holzapfel

Olaf Holzapfel

Agnes Denes

Agnes Denes

Agnes Denes

Agnes Denes

Ciudad Abierta

Ciudad Abierta

Joar Nango

Joar Nango

Joar Nango

Joar Nango

Joar Nango

Joar Nango

Angelo Plessas

Angelo Plessas

Dan Peterman

Dan Peterman

Hans Eijkelboom

Hans Eijkelboom

Museum für Sepulkralkultur, Kassel

Museum für Sepulkralkultur, Kassel

Narrowcast House

Narrowcast House

Elisabeth Wild

Elisabeth Wild

Pélagie Gbaguidi

Pélagie Gbaguidi

Pélagie Gbaguidi

Pélagie Gbaguidi

Pélagie Gbaguidi

Pélagie Gbaguidi

Hubertus Gojowczyk

Hubertus Gojowczyk

Hubertus Gojowczyk

Hubertus Gojowczyk

Joseph Beuys

Joseph Beuys

Piotr Uklański

Piotr Uklański

Romuald Karmakar

Romuald Karmakar

Marta Minujín

Marta Minujín

Marta Minujín

Marta Minujín

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21 – 24 September 2017
Marx Halle Vienna
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#viennacontemporary Magazine reports on the activities of viennacontemporary and provides you with in-depth insights into what’s going on in the art world. We publish interviews with gallerists, collectors, artists, and art lovers. Our main focus is Austria, but we also explore the art scene in Southern and Eastern Europe and beyond. viennacontemporary is not only a reflection of the contemporary art landscape in the region. It’s about people, society, trends, and dialogue.

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The art of Amelie von Wulffen is a wild combination of dream and joke, in which the unconscious and the suppressed, the subjective and the objective, the political and the artistic, balance each other and reflects the artist’s own involvement. “Brown” undertones, family, and genre scenes in a pseudo-romantic, rural idyll meet set pieces from art history. Ice cream flavors such as Magnum, Cornetto & Co frame the scene, timeless triggers for childlike substitute satisfaction.

The hybrid character of the works created by Adrian Kiss in recent years has evolved from the synthesis of the sensuality of his artistic approach and the rationality of his creative process conceived of as design. Kiss’s unique narrative installations created in recent years are deconstructed and constructed, their thematic unity provided by the formulation of the human body in abstract forms, their medial basic tone by the extensive use of materials, and their visual character by the appropriation of details and industrial design forms borrowed from the world of everyday objects and fashion.

Our international team is growing! 📈viennacontemporary receives active support in operational management through several new additions with extensive international experience, such as Business Development Consultant Yana Barinova (Ukraine), External Relations Manager Fruzsina Kacskó (Hungary) and VIP Representative Leonie Mir (Germany). Read more about our new team members in stories 👀  Images:

This year’s opening of the Venice Biennale was as wet as inspiring 🌊 Fruzsina Kacskó, Head of External Relations at viennacontemporary, is sharing her experience and top picks of national pavilions with focus on Eastern Pavilions.

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For Stano Filko the power of the colour red makes you feel how bodies may understand the world 🟥 But what now, if the body is displaced, in exile, out of sync with its surroundings? This is what the work coming out of Filko's New York years speaks of. Arriving in Manhattan, in 1982, after fleeing the ČSSR, he absorbs the urban energy psycho-physically. Filko gets body-checked by USA where money talks, and sets rules for art: "Show me. Don't tell me. Where is the beef?" Filko responds, work gets fleshy, pink, red, big, and loud. In turn he wants to know: "I show you. Now tell me: Where is the love?"

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