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Tag Archives: Hubert WInter

Who Made VIENNAFAIR 2013

2013

Who Made VIENNAFAIR 2013

Posted on 15. October 2013 by #viennacontemporary • Leave a comment

127 galleries participated in the 9th edition of VIENNAFAIR The New Contemporary. It was very intense and interesting – we hope you also enjoyed it! In this post you will find photos of our driving force – the gallerists, their assistants, and the artists at their booths. Hope to see you next year… Continue reading →

“Hubert Winter Prize”

2013

“Hubert Winter Prize”

Posted on 10. October 2013 by #viennacontemporary • Leave a comment

“After I got the prize for the best stand at the VIENNAFAIR this year for the third time, I thought that I would like to rededicate some of the money in order to consider an Institution that does an excellent job and has a limited funding. So the idea of “Hubert Winter Prize” was born. … Continue reading →

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8 – 11 September 2022
viennacontemporary | International Art Fair

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A-1070 Vienna, Austria

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#viennacontemporary Magazine reports on the activities of viennacontemporary and provides you with in-depth insights into what’s going on in the art world. We publish interviews with gallerists, collectors, artists, and art lovers. Our main focus is Austria, but we also explore the art scene in Southern and Eastern Europe and beyond. viennacontemporary is not only a reflection of the contemporary art landscape in the region. It’s about people, society, trends, and dialogue.

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Franz West challenged traditional concepts of sculpture and eradicated the taboo of touching art. By putting his artworks on the ground in public spaces, West demolished hierarchy in the relationship between the viewer and the artwork. Art was no longer passive and unresponsive to the viewer, one now had to address the work and think how to engage with it. Consequently, West earned the title of the ‘gentle anarchist.’

The art of Amelie von Wulffen is a wild combination of dream and joke, in which the unconscious and the suppressed, the subjective and the objective, the political and the artistic, balance each other and reflects the artist’s own involvement. “Brown” undertones, family, and genre scenes in a pseudo-romantic, rural idyll meet set pieces from art history. Ice cream flavors such as Magnum, Cornetto & Co frame the scene, timeless triggers for childlike substitute satisfaction.

The hybrid character of the works created by Adrian Kiss in recent years has evolved from the synthesis of the sensuality of his artistic approach and the rationality of his creative process conceived of as design. Kiss’s unique narrative installations created in recent years are deconstructed and constructed, their thematic unity provided by the formulation of the human body in abstract forms, their medial basic tone by the extensive use of materials, and their visual character by the appropriation of details and industrial design forms borrowed from the world of everyday objects and fashion.

Our international team is growing! 📈viennacontemporary receives active support in operational management through several new additions with extensive international experience, such as Business Development Consultant Yana Barinova (Ukraine), External Relations Manager Fruzsina Kacskó (Hungary) and VIP Representative Leonie Mir (Germany). Read more about our new team members in stories 👀  Images:

This year’s opening of the Venice Biennale was as wet as inspiring 🌊 Fruzsina Kacskó, Head of External Relations at viennacontemporary, is sharing her experience and top picks of national pavilions with focus on Eastern Pavilions.

In the art of Zsófia Keresztes, the complex and plastic system of iconographic shapes melting into each other, is paired with the formal language and references of the Millennials. Her works can be interpreted as embodied mosaics that uniquely combine sensuality and virtuality, analogue and digital, real and surreal: creating an archaic, yet extraordinarily contemporary visual language, they revolve around the issues of subjective self-identity.

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